“Mommy Milk Cafe,” or when misunderstanding is a choice

Ever sat in a public place and felt like someone was watching you? Like a stranger was talking about your appearance and behavior? Well, of course. You live in the age of the internet, after all. You live in a time where every aspect of your life is cataloged, put on display, and discussed. As such, people feel like they know you. They feel like they have the right to judge. But do they? Or are they, in so doing, actually just creating unnecessary conflict with people that they don’t even know? These questions, and more, are at the heart of Sara States’ “Mommy Milk Cafe,” a play I had the pleasure of watching via Facebook Live last night.

Knives Out (2019)

When a wealthy novelist winds up dead, the police and a highly eccentric detective are brought in to investigate. Through a series of interviews with the dead man’s quirky, narcissistic relatives, the officers realize that just about everyone had reason to kill him. The only person who seems to have no motive is Martha, the author’s nurse. This, coupled with the fact that she is physically incapable of lying (she throws up whenever she thinks about falsehood) leads them to recruit her in their investigation. But what will happen when they realize that Martha has her own secrets she’s been keeping from them? Watch the movie and find out.

Parasite (2019)

The Kims are a family at the bottom rungs of society. Literally, since their shitty, one bedroom apartment is in a basement. They’re so poor that they have to use a neighbors fumigation to kill the cockroaches crawling over their belongings. They’re willing to do just about anything to get ahead, even if that means lying, and getting other people fired. Which is precisely what they wind up doing when the son gets an opportunity to act as a rich girl’s English tutor. He forges a university degree, and when the parents of  this girl like him, he’s able to find the rest of his relatives employment as the rich people’s art teacher, driver and maid, respectively. All is well, until they realize that the maid they got fired has been hiding something in the rich people’s basement, and that they just might have walked into something far more dangerous than they could have imagined.

Joker (2019)

Arthur Fleck is a sick man. Not just in the sense that he has a condition that causes him to laugh uncontrollably. He’s sick in that he is delusional. He routinely hallucinates that people on the TV are interacting with him. At the start of the film, we learn that he was previously institutionalized and that he’s on no less than seven different medications. He is a man barely holding on to sanity. So what will happen when the city program giving him his meds gets shut down, he gets fired from his job at a clown for hire company, and a group of Wall Street types attacks him, unaware that he has a gun? Watch the movie and find out.

Hustlers (2019)

Following the financial crash of 2008, a group of New York strippers finds themselves out of work. With fewer Wall Street types coming in to spend money, there’s less revenue to go around. This hurts all of them, until Ramona, the chief moneymaker in their club, devises a daring scheme to get rich without dancing. The women will approach a businessman at a bar, spike his drink so that he passes out, take him to the strip club, and then, while he’s unconscious, max out his credit card. They assume that, even if the guy sees a big chunk of money missing from his bank account, he’ll be too embarrassed to admit that he spent it at a strip club. They’re correct, and, for a time, the scheme works. But, of course, as their operation gets bigger, Ramona gets more reckless, and eventually, the whole house of cards comes falling down.

Luce (2019)

On the surface, Luce Edgar seems like the perfect son. He’s a star athlete. He’s valedictorian of his entire school. And that’s not even considering his past. He’s a former child soldier from Eritrea who, against all odds, seems to have put his trauma behind him, and formed a healthy, stable social life. “Seems” being the keyword here. See, one day, a teacher asks him to write an essay in the voice of a historical figure, and Luce delivers a piece emulating the style of Frantz Fanon, a pan-Africanist who argued that violence was necessary to settle political disputes. Disturbed, this same teacher breaks into Luce’s locker and discovers fireworks there. She alerts Luce’s parents to both of these things, and while neither of them wants to believe that their son could be capable of violence, as they do more digging, they realize that there might be more to their baby than once thought.

Captain Marvel (2019)

Crash-landing on Earth in 1995, Vers, an extraterrestrial warrior from the planet Hala, begins to have nightmares, dreams of a life she might have once had. See, she’s been told that she is a Kree soldier, locked in an eternal war with the shape-shifting Skrull, but these dreams suggest that she may have actually once been Carol Danvers, a human air force pilot. Her commander, Yon-Rogg, tells her to ignore these visions, insisting that they are implants put there by the Skrull, who did tamper with Vers’ memories while she was captured. But before she can ask too many questions, Skrulls show up, hoping to catch her again, and she winds up running into a young government agent by the name of Nick Fury, and they all chase each other across the country for… some reason.

Black Panther (2018)

Greetings Loved Ones! Liu Is The Name, And Views Are My Game.

To The Bone (2017)

Ellen has an eating disorder. She doesn’t want to chew, let alone swallow, anything with calories. As a result, she’s lost a truly frightening amount of weight, and there is a very real chance she might die. So, as a last ditch effort to save her life, Ellen’s stepmom signs her up for a special,eating disorder treatment program. She’ll have to live in a house, with other anorexic kids, and partake in therapy sessions with Dr. Beckham, played by Keanu Reeves. If all goes well, she’ll be cured, and allowed to go home. If it doesn’t, she’ll die. Those are the only options, and with the way the film starts out, either outcome is entirely plausible.

Okja (2017)

To end world hunger, the Mirando corporation creates a new breed of genetically-enhanced super pigs. These animals, which look like a combination between hippos, dogs and elephants, eat less, have more meat, and produce fewer excretions. In short, they’re the ideal food source. As part of a PR campaign, Mirando sends several super pigs to farms across the globe, ostensibly to find out which is the best environment to raise them in. One of the super pigs, Okja, is sent to a farm in Korea, where she and her owner, 14-year-old Mija, become inseparable. So much so that, when Mirando tries to collect their property, and bring her back to a slaughterhouse, Mija follows them, and even busts Okja out in one of the most chaotic, destructive, and oddly funny sequences in film history. Throw in some eco terrorists, and an insane Steve Irwin rip off, and you’ve got yourself a movie.