Dolemite Is My Name (2019)

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It’s 1970, and Rudy Ray Moore is ready for comedy stardom. There are just a few things standing in his way. He’s over 40, overweight and black. It’s the 70s, so these things pretty much prevent him from ever achieving mainstream success. But he’s determined. When he works out a particular routine, involving vulgar, rhyming stories about a character named Dolemite, he produces a comedy record in his own apartment. And when record stores refuse to carry his work, calling it “filthy,” he decides to put the albums out himself, actually selling them from the trunk of his car. Eventually, he builds up enough of a following that he decides to bring Dolemite to the screen. Unfortunately, no one will invest in him, believing that there isn’t a big enough audience and that he isn’t leading man material. Rudy doesn’t let that stop him, though. As he always does, he finds a way to do it himself, discovering an abandoned hotel where he can shoot the movie without permits, and assembling a motley crew of film students, amateur actors, and strippers to bring the thing together. Will they succeed in creating a classic for the ages? Watch the movie and find out. Continue reading

Always Be My Maybe (2019)

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16 years after an awkward falling out, childhood sweethearts Sasha and Marcus find themselves in vastly different socio-economic situations. While Sasha has become a celebrity chef, opening a chain of successful Asian fusion restaurants, Marcus has stayed in his childhood home and done next to nothing to promote his band, despite them being quite good. So what happens when they meet each other again? Watch the movie and find out. Continue reading

Love, Death & Robots (Season 1, 2019)

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What if the world were ruled by yogurt? What if a couple had a civilization in their fridge? What if the military recruited werewolves to hunt terrorists? These questions and more are asked and answered in Love, Death & Robots, a brand-new Netflix anthology series. Consisting of 18 animated shorts from different directors, the stories have no narrative connections, and all feature different tones and art styles. The only real thing linking them is the motif of science fiction, and even that’s tenuous, since several of the stories, like the aforementioned werewolf film, would more comfortably fit in the fantasy genre. Even so, the series is engaging enough, with plenty of unique ideas and slick visuals to keep you invested. According to the show’s producers, David Fincher, and Tim Miller, their only objective was to “make something cool.” And, in my opinion, they more than succeeded in that regard. Continue reading

Maniac (2018 Miniseries)

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In an oddball future, a future where you can avoid paying for things by listening to a certain number of ads, and where tiny robots patrol the streets, looking for poop to scoop, two broken people enter an experimental drug trial. One, Owen, is the neglected, schizophrenic son of a wealthy Manhattan family. He is being forced to lie under oath to prevent his brother from going to jail. Another, Annie, is a selfish, mean-spirited drug addict, who still feels guilt over having contributed to her sister’s death. Owen is there for the money. Annie is there for the drugs. But regardless of why they came, the head of the program, Dr. James Mantleray and his partner, Dr. Azumi Fujita, are confident that their drugs will solve ALL, yes, all, of their patients’ personal problems. But what happens when the computer administering the trial develops emotions and begins messing with the process? James and Azumi will be forced to bring in the former’s awful mother, whom the computer is modeled off of, while the patients will have to contend with a series of strange visions and increasingly surreal simulations. Continue reading

Hold The Dark (2018)

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In the remote town of Keelut, Alaska, children are being taken. Not by humans, but by wolves. Two Yupik youngsters have already gone missing. And now, it seems, a little White boy has as well. As such, his mother, Riley Keough, summons Jeffrey Wright, an expert on the animals, to come and find the pack that killed her son. When Wright gets there, however, he finds that all is not as it seems to be. For starters, Keough seems slightly crazy. (In one scene, she climbs into bed with him, and tries to get him to strangle her). And when Wright looks in the basement, he finds that wolves didn’t eat the boy. Keough, his own mother, killed him. This revelation, coupled with Keough’s disappearance, sends her husband, Alexander Skarsgård, an unhinged Iraq War vet, on a killing spree to find her, and leaves Wright, and local sheriff James Badge Dale, completely in the dark as to what the hell’s happening. Or maybe that’s just the audience. Continue reading

To All The Boys I’ve Loved Before (2018)

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Lara Jean Covey is a sweet, but shy girl, whose never been able to tell anyone that she likes them. Instead, she writes them love letters, and hides the notes in a box, praying to God that no one will ever find them. Especially if the boy in question is involved with someone close to her, like her sister Margot. Unfortunately for Lara, someone steals her love letters, and sends them to her crushes, including the aforementioned boyfriend. So to convince everyone she’s not trying to steal her sister’s man, she convinces another one of the boys she wrote a letter to, Peter, to pretend to be in a relationship with her. Of course, things don’t go according to plan, as she and Peter wind up developing actual feelings for each other, and Josh, Margot’s boyfriend, ends up becoming a wee bit jealous.
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GLOW (season 2, 2018)

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After months of hard work, the ladies of GLOW have finally done it. They’ve gotten their show picked up by a TV station, and are pumping out new episodes every week. But all is not well, as they face a variable cornucopia of new challenges, such as keeping the ratings up, making sure their sponsors don’t leave them, and personal demons, such as divorce, AIDS, and the possibility of getting deported. Continue reading