See You Yesterday (2019)

Flatbush wiz-kids CJ and Sebastian have done the impossible. They’ve built real, functioning time machines. The catch is that they can only go back for 10-minute stretches before needing to return to the present. So what do they do with their first, incredibly valuable 10 minutes? Humiliate CJ’s asshole ex-boyfriend. They don’t think anything of it at first until they realize that changing the past caused the trajectory of CJ’s brother’s day to shift. And when I say “shift” I mean, he winds up getting killed by police. This devastates CJ, who decides to use her technology to go back and save him. When she does so, however, she discovers that it’s not so easy to correct the past, since every change brings about new, unforeseen consequences.

John Carter (To Infinity Retrospective)

(Grrrrrrrrrr!) Welcome to the To Infinity Retrospective, a series I created in preparation for Rise Of Skywalker. At the start of each month (Agh!) I review a different space opera (Shit!). And today (snarl!) we’ll be taking a look at the 2012 Disney film John Carter. What’s it about?

Luce (2019)

On the surface, Luce Edgar seems like the perfect son. He’s a star athlete. He’s valedictorian of his entire school. And that’s not even considering his past. He’s a former child soldier from Eritrea who, against all odds, seems to have put his trauma behind him, and formed a healthy, stable social life. “Seems” being the keyword here. See, one day, a teacher asks him to write an essay in the voice of a historical figure, and Luce delivers a piece emulating the style of Frantz Fanon, a pan-Africanist who argued that violence was necessary to settle political disputes. Disturbed, this same teacher breaks into Luce’s locker and discovers fireworks there. She alerts Luce’s parents to both of these things, and while neither of them wants to believe that their son could be capable of violence, as they do more digging, they realize that there might be more to their baby than once thought.

Stop Me If You’ve Heard This One Before…

You’re watching a movie or TV show, two characters are talking, and one of them says something offensive. The other person tells them to not say that, and then winds up saying something even more offensive.

Here are just a few examples of what I’m talking about:

FROM THE BOONDOCKS:

“Don’t say that something’s gay. It’s offensive to fags.”

FROM CRASH:

“Don’t be ignorant. They’re probably Thai or Cambodian. Totally different kinds of Chinks.”

FROM THE BIG LEBOWSKI:

“Also, dude, Chinaman is not the preferred nomenclature. Asian American, please.”

“Walter, this isn’t a guy who built the railroads here. This is a guy—“

“What the f*** are you talking about?”

“Walter, he peed on my rug!”

“He peed on the Dude’s rug.”

“Donnie, you’re out of your element. Dude, the Chinaman is not the issue here!”