Greetings Loved Ones! Liu Is The Name, And Views Are My Game. Continue reading
Greetings Loved Ones! Liu Is The Name, And Views Are My Game. Continue reading
Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
Li Mu Bai has long led a warrior’s life. But now, after years of bloodshed, he’s determined to turn over a new leaf. So, to prove to everyone that he’s done killing, he gives his sword, the legendary Green Destiny, to Yu Shu Lien, a fellow warrior, and unrequited love interest. But when the Green Destiny is stolen, and Yu and Li’s investigation brings them to the home of a government official, they realize that there’s more to this story than meets the eye.
Crouching Tiger, Hidden Dragon is a movie I have loved literally my entire life. Not only was it the first film I ever saw, but it was also the movie that made me want to make movies. Seriously. As soon as I watched this back in 2000, I got a camera, and made my own kung fu movie, Crouching Lion, Hidden Eagle. Any picture that can get a six year old who doesn’t even know what a camera is to want to make movies is doing something right. And I’m not the only one who thinks that. To date, Crouching Tiger, Hidden Dragon remains the highest grossing foreign-language film in American history, as well as the most critically-acclaimed martial arts movie of all time; with a record four Academy Awards to its name, and ten nominations, including Best Picture. But why was it so beloved? Why do people still remember it after so many years? What, to put it bluntly, makes this movie so good?
Well, several things, actually. The first is it’s script. Crouching Tiger, Hidden Dragon is a very well-written movie, with it actually getting nominated for Best Adapted Screenplay, and for good reason. Every single character is given depth, personality, and pain. The film is almost three hours long, and it contains many quiet scenes where characters just sit and talk to each other about their dreams and desires. As such, the protagonists of this film are considerably more well-rounded than those in other martial arts movies. The second thing that makes this movie awesome is the camerawork. Crouching Tiger, Hidden dragon is beautifully shot, with every single frame dripping with life and color. Peter Pau, the cinematographer, won an Oscar for lensing this film, and I can totally see why. Every time I watch it, I feel like I’ve been transported to another world, and it’s all thanks to the images onscreen. The third thing that makes Crouching Tiger, Hidden Dragon incredible is the acting. Everyone gives a subtle, restrained performance, not at all what you’d expect from a film like this, and, indeed, many members of the cast were nominated for BAFTA and Hong Kong Film Awards for their work. The standout, easily, is Zhang Ziyi, who steals the Green Destiny, and the whole damn show. She is magnetic on screen. She’s bold and fiery, and yet, vulnerable and sweet. By this point in her career, She’d already made somewhat of a name for herself back in China, but it was her work in Crouching Tiger that catapulted her into the stratosphere of stardom, not just in the East, but in the West as well. For the next five years, she was everywhere, appearing in big films like Hero, Rush Hour 2, Memoirs Of A Geisha, and House Of Flying Daggers. It is extremely rare for an Asian actress to become big in Hollywood, but Zhang Ziyi did, and it’s all thanks to her incredible performance in this movie. The fourth, and biggest, reason why Crouching Tiger Hidden Dragon is awesome is the action. It is SUPERB. It’s exciting, well-shot, beautifully-choreographed, and inventive. The fight sequences in this movie hold up after 17 years, and for good reason. They’re real. Every single moment was done in camera, by real stuntmen. And you can tell. In the film’s most famous fight scene, where Michelle Yeoh and Zhang Ziyi duke it out in a courtyard, you hear the actresses panting, and see the sweat dripping down their faces. You really believe that this is a hard, brutal fight, and that it’s taking a serious toll on both their bodies. And whenever a film can convince you that a staged action sequence is real, it’s done something right.
Now, as much as I adore Crouching Tiger, Hidden Dragon, and, trust me, I could gush about it for ages, there are some aspects of it that I don’t enjoy as much, all these years later. The biggest, by far, is the flashback sequence, wherein we see Zhang Ziyi’s backstory. Yes, it’s necessary, and it helps you understand her character. But it’s also very long, and very, very slow. It goes on for about 40 minutes, and when you watch it, you just feel like you’re in a different movie. The whole thing really hurts the pace, and I honestly tend to fast-forward through it whenever I re-watch the film. Which brings me to another point, the fact that the movie’s plot is kind of scatter-brained. It starts out as a drama about a warrior trying to abandon his bloody past. Then it becomes a mystery, where they have to find the Green Destiny. Then it turns into a romantic drama, wherein Zhang Ziyi wants to escape her arranged marriage and go live in the desert. And then, in the last 30 minutes, it becomes a kind of road movie, where Zhang Ziyi is just roaming the land, taking what she wants and fighting whomever she pleases. Yes, everyone has an arc, and all the subplots do pay off. But, upon re-watch, it does feel like some of those subplots could have been omitted, and the movie, as a whole, would have become more focused.
But those are really the only negative things I have to say about Crouching Tiger, Hidden Dragon. This is a well-shot, well-acted, emotionally-devastating character piece, with some amazing fight sequences and action. If you somehow haven’t seen this movie after all this time, go out and rent it RIGHT NOW! You will love it.
Greetings Loved Ones! Liu is The Name, ANd Views Are My Game.
How often do you come across people who say “I want to be wrong?” Not very, I’ll bet. And yet, that was exactly what I kept saying to myself as soon as I heard that Netflix and The Weinstein Company were making a sequel to Crouching Tiger, Hidden Dragon. See, I might not have mentioned it here before but, Crouching Tiger , Hidden Dragon is my favorite film of all time. It’s not only the first movie I ever saw, but it’s also the movie that inspired me to want to make films. Seriously! As soon as I saw it, I went out and made a short movie “Crouching Lion, Hidden Eagle” with my parent’s cam quarter. And, keep in mind, I was only six at the time I did this. Any movie that can inspire a six year old to want to go out and make movies, when he doesn’t even know what a camera is yet, is fucking amazing! And I’m not the only one who feels this way. Crouching Tiger, Hidden Dragon was a huge critical and commercial success at the time of its release, taking home four Academy Awards, and, to this day, remains the highest grossing foreign language film in American history. Everything about it, from its direction, to its screenplay, to its cinematography and its score, were lauded. This was the film that made an international superstar out of Chinese actress Zhang Ziyi, who went on to star in such acclaimed movies as Hero, House Of Flying Daggers, 2046, and Memoirs Of A Geisha. This was the picture that cemented director Ang Lee’s status as one of the all-time great filmmakers, and proved to Hollywood executives that, yes, non-English movies can make money, and are, in fact, worth producing.
This sequel, however–this sickening piece of filth that dares to carry the same name as the original, beloved masterpiece–is nothing but garbage. It is the total antithesis of everything the first film was, or stood for. Just to give you an idea of what we’re dealing with here, the original film was over three hours long, shot entirely in Mandarin, and was primarily a drama, but with fight scenes scattered throughout. The sequel, by contrast, is barely over an hour and a half long, shot entirely in English, and is just a series of fight sequences strung together by the loosest of plots. The original Crouching Tiger took its time before jumping into the action, with the first 20 minutes being devoted to character development and dialogue. The sequel barely waits 2 minutes before shoving us into one of many pointless, poorly shot, poorly edited fight scenes. The first film was done entirely in-camera, with actual people performing the stunts and choreography. The sequel has A LOT of CGI in it, and, half the time when you’re watching the movie, you can tell that those aren’t real people, backgrounds, or objects. I could go on forever, but I think you get the idea.
Now, to be fair, this sequel was doomed from the start. The original Crouching Tiger ended with all but one of the main characters dying. This, by itself, makes it very difficult for anyone to make a sequel without there being a huge shift in tone and style. Add to this the fact that the studios waited over 15 years to make the sequel, and you’ve got a project just begging to fail. Now, by itself, a delayed production and drastic shift in tone aren’t enough to doom a film. Aliens came out in 1986, a whole seven years after the release of Alien, and was an action film as opposed to a horror movie, and yet, it turned out to be great. But in that circumstance, you had a really talented group of filmmakers–James Cameron, Walter Hill–working behind the camera to make the movie the best that it could be. The sequel to Crouching Tiger, by contrast, lacks any such talented individuals on its crew. Just to give you an idea, the film’s director, Yuen Woo-Ping, isn’t even a director. He’s a fight choreographer. He gave us all the combat in The Matrix, Kill Bill, and the original Crouching Tiger, so we know that he’s good at getting people to punch, kick and strangle each other in an entertaining manner. But can he tell a good story? Can he create characters who are well-rounded, and that you want to see prevail? No, and no. Ang lee, the man behind the original Crouching Tiger, has one two Academy Awards for Best Director. He knows how to get good performances out of actors, and to build up worlds with subtlety and nuance. Yuen Woo-Ping is about as subtle as a bat to the head. Add to this the fact that the sequel was written by John Fusco–who penned such films as Thunderheart, The Forbidden Kingdom, and Spirit: Mustang Of The Cimarron–and you’ve got everything you need to know.
Guys, I’m going to make this very simple by stating that the sequel to Crouching Tiger, Hidden Dragon is absolute garbage. I award it a 0 out of 10! That’s right. I hate it more than Inglorious Bastards, the remake of Point Break, and 50 Shades Of Grey combined. DON’T WATCH IT!