Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
It’s 1962, and Elisa Esposito is a janitor at a high-tech lab. A mute, Elisa spends her days watching old movies, taking care of her roommate, Giles, and listening to her colleague, Zelda’s, marital woes. Her world is thrown into turmoil when a special asset, a humanoid Fish Creature, is brought to the facility. She becomes obsessed with it, visiting it when no one is around, playing it music, and, eventually, breaking it out, and bringing it to her apartment. This incurs the wrath of Strickland, the lab’s racist, sadistic director, as well as the Soviets, who want the creature for themselves. Will Elisa be able to outsmart them? Will she find a way to free her fish-faced love? Well, you’ll just have to watch the movie to find out.
The Shape Of Water is a well-acted, beautiful looking, richly-textured fairy tale. And I’m not sure how to feel about it. It’s not that I think it’s bad, per se. As a matter of fact, while I was watching it, I realized that it is, in many ways, the exact type of movie I love to write. A period piece, with a sci-fi or supernatural element, that also serves as a commentary on prejudice and disability? I’ve written about five scripts like that. And, again, on a technical level, this movie is perfect. It’s also not a sequel, remake, adaptation or spin-off, which is always a plus in my book.
That said, there are certain things you should probably know going in. They’re not complaints, per se; just some things to temper your expectations. For starters, the film is very slow. The first 20 minutes, which have almost no dialogue, just show us Elisa’s daily routine. Nothing important happens in them. And while they do give us a well-rounded portrait of her character, they do leave you wondering when the actual plot is going to kick in. On top of that, you don’t actually see Elisa and the Fish Man much. A lot more screen time is devoted to side characters, like her roommate, Giles, her colleague, Zelda, and even Strickland, the main villain. Yes, neither she nor the Creature can talk. But it’s never a good sign when your film’s leads are the least interesting part of the movie. And, finally, the romance in this story is not at all sugar-coated. What I mean by that is, in most romance films, particularly ones that involve a human and a supernatural creature, like King Kong or Beauty and the Beast, the filmmakers tend to keep sex out of it. Not here. There are several scenes where we watch Elisa and the Fish Monster banging. And, I’ll be honest, it made me uncomfortable.
Nevertheless, the sheer beauty, and originality, of The Shape Of Water make it worth watching. Is it slow? Yes. Are the two leads a little underdeveloped? Sure. But neither of those are enough to dampen the charm of this sweet, magical, and original fairy tale. Don’t hesitate to give it a look.