Deadly Class (Season 1, 2019)

Featured

Deadly-Class-Banner-768x432

It’s the late 80s, and Marcus is a homeless teen with a deep hatred for Ronald Reagan. See, Reagan closed the insane asylums, and let lots of mentally ill people, including one who killed Marcus’s mom and dad, out on the street. Now, all Marcus wants is revenge. That, and to avoid the police, since the boy’s home he lived in mysteriously burned down, and Marcus was the only survivor. This last fact is what attracts the attention of Master Lin, the principal of King’s Dominion, a private school that teaches the children of criminals and assassins on how to be the best killers. Lin offers Marcus a place at his institution, and Marcus accepts, learning things like how to brew poison, shoot guns, and other assassination vitals, and all while navigating bullies, girls, and all the other high school tropes. Continue reading

Advertisements

Is Constance Wu A Trailblazer?

Featured

ConstanceWuGuest

So I follow Constance Wu on Instagram, and I saw a video she posted recently where she was talking about how, soon, she’d be shooting the 100th episode of Fresh Off The Boat. That was a big deal for her because, one, that’s the most episodes of anything she’s ever shot, and two, it will officially mark the longest run for any show with a majority Asian cast in US TV history. Continue reading

Maniac (2018 Miniseries)

p15786287_b_v8_ab

In an oddball future, a future where you can avoid paying for things by listening to a certain number of ads, and where tiny robots patrol the streets, looking for poop to scoop, two broken people enter an experimental drug trial. One, Owen, is the neglected, schizophrenic son of a wealthy Manhattan family. He is being forced to lie under oath to prevent his brother from going to jail. Another, Annie, is a selfish, mean-spirited drug addict, who still feels guilt over having contributed to her sister’s death. Owen is there for the money. Annie is there for the drugs. But regardless of why they came, the head of the program, Dr. James Mantleray and his partner, Dr. Azumi Fujita, are confident that their drugs will solve ALL, yes, all, of their patients’ personal problems. But what happens when the computer administering the trial develops emotions and begins messing with the process? James and Azumi will be forced to bring in the former’s awful mother, whom the computer is modeled off of, while the patients will have to contend with a series of strange visions and increasingly surreal simulations. Continue reading

GLOW (season 2, 2018)

Image result for glow season 2

After months of hard work, the ladies of GLOW have finally done it. They’ve gotten their show picked up by a TV station, and are pumping out new episodes every week. But all is not well, as they face a variable cornucopia of new challenges, such as keeping the ratings up, making sure their sponsors don’t leave them, and personal demons, such as divorce, AIDS, and the possibility of getting deported. Continue reading

Dear White People (Season 2, 2018)

Image result for dear white people season 2

One week after the climax of the first season, the Black students of Winchester University have a new problem to deal with. Actually, they’ve got several. Due to someone setting another dorm on fire, Armstrong Parker, the campus’s traditionally all-Black residence hall, has been integrated, and the locals don’t like their new White neighbors. On top of this, there’s an alt-right troll posting horrible things online about Sam, Coco, Troy, and pretty much all the other main characters. And as if this weren’t bad enough, each of our protagonists has personal demons to deal with. For Coco, it’s an unplanned pregnancy. For Sam, it’s her father’s ailing health. For Reggie, it’s PTSD from the time a cop pulled a gun on him for no reason. And for Troy, it’s a sense of listlessness after losing a clear direction in his life. How will they deal with these issues? Watch the season, and find out for yourself.
Continue reading

Atypical (Season 1, 2017)

Image result for atypical season 1

Sam is 18, and he’s never had a girlfriend. This is due, in part, to the fact that he’s on the Autism spectrum, and has trouble reading social cues. Now, though, with only one year of High School left, and a newfound attraction to his therapist, Julia, he’s determined to get a “practice girlfriend,” so he can learn how to please a woman. This quest brings him into conflict with his mother, Elsa, whose whole life has been consumed by taking care of him, and whose confusion over not being able to micromanage his existence leads her to make some bold new choices of her own. Continue reading

Black Mirror (Seasons 1-3)

Greetings loved ones. Liu is the name, and views are my game.

What if you could build a man, based on his social media posts? What if you could watch memories, like movies, on a screen? What if a signal was sent out that turned half the world into passive spectators, and the other half into murderous hunters ? These questions, and more, are what get asked and explored in Black Mirror, a British anthology series that’s streaming on Netflix. Each episode features a different cast, a different story, and a different reality. But all feature the recurrent motif of technology, and a dry, nihilistic sense of humor. The series might best be described as half science fiction, half satire.

In many respects, Black Mirror is the spiritual successor to The Twilight Zone, the classic sci-fi anthology series that ran for five seasons back in the 50s. Both feature episodes with different casts and story-lines. Both ask moral and philosophical questions, usually through a scientific or magical plot device. Both feature macabre twist endings, and both gave actors who would eventually become super famous their first big break. Seriously. Black Mirror has got way more famous British actors in it than I would have thought. You’ve got Domhnall Gleason, from The Force Awakens, The Revenant and Ex Machina. You’ve got Hayley Atwell, or as you may know her, agent Peggy carter from the MCU. You’ve got Tuppence Middleton from Sense8. You’ve got Daniel Kaluuya from Get Out. You’ve got Toby Kebbell, who’s starred in every major big budget flop that’s come out in the last four years. You’ve got Gugu Mbatha-Raw, from Belle, Beauty and the Beast, and Beyond the Lights. And, of course, you’ve got Benedict Wong, from Marco Polo, Doctor Strange, and The Martian. So much talent. And it was all before they were famous. But I’m getting sidetracked.

Black Mirror is a very smart, very well-written series. Even in its weaker episodes, the show is consistently entertaining. The acting is always top notch, as is the production design. And I really want to emphasize this, its original. Every single episode features a unique; thought provoking concept. And none of them are remakes of older stories, adaptations of preexisting material, or spin offs of other stuff. Do you realize how rare that is? Do you realize how virtually nothing that gets made these days is not a sequel, remake, adaptation or spin off? For that reason, I have to recommend you all watch this. Even if you don’t like sci-fi, you’ll appreciate the show for it’s emotional depth and it’s originality. Especially the latter.

But before you get the wrong idea, the series isn’t perfect. Where the show falters the most is its cynicism. Virtually all the episodes end in an extremely bleak manner, and, very often, those endings fly in the face of the world and the characters that have been established. I understand tragedy is seen as the highest, most respectable form of dramatic art, but forced tragedy is awkward and unrealistic. And it doesn’t hit you as hard when you know that the story shouldn’t have ended that way, not because you didn’t want it to, but because the ending was easily avoidable. And example of this “false tragedy” I’m talking about is the episode “Fifteen Million Merits.” In it, we see Daniel Kaluuya raging against the numb, media obsessed dystopia that he’s living in. He spends the entire episode telling us how much he hates it and how much he hates the people who have turned the world into thoughtless zombies. And yet, by the end of the episode, he joins the big media company and becomes part of the system he despises. And it comes out of nowhere. It’s not like the show builds up to this by throwing us little hints that maybe he actually likes the system. He hates it, and then, out of nowhere, when he’s given the chance to join it, he does. Why? It doesn’t make sense. And because of that, I don’t feel devastated. I just feel confused. And even in episodes that don’t include sci-fi elements, like the first episode of the series, “the national anthem,” the show’s harsh, mean-spirited tone is off-putting. In that episode, a royal princess gets kidnapped, and the only way to save her is if the prime minister fucks a pig. And we have to watch him do it. Why? What possible good can come from forcing us to watch an old man get pressured into committing bestiality. What does that say, other than that you hate politicians? I hate Donald trump, but I would never want to have to watch him fuck a gorilla. That’s just cruel and mean. And it doesn’t teach us anything. The only episode that has a happy ending is San Junipero, a sweet little love story about two women finally being able to be with each other in an artificial construct. And there, it comes as an all too welcome relief.

All I can say is that Black Mirror is a brilliantly-written, highly original, but deeply mean spirited and nihilistic show. I want to recommend it, but I feel I can’t do so without warning you of its content. Make of this what you will.