Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
After months of hard work, the ladies of GLOW have finally done it. They’ve gotten their show picked up by a TV station, and are pumping out new episodes every week. But all is not well, as they face a variable cornucopia of new challenges, such as keeping the ratings up, making sure their sponsors don’t leave them, and personal demons, such as divorce, AIDS, and the possibility of getting deported.
If you read my review for the first season of GLOW, you’d know that I thought the series had a lot of strong qualities–such as an all-female cast, an intriguing premise and some good acting–but I was put off by some of its more offensive jokes, and inconsistent tone. I mentioned how the show was, for the most part, pretty light-hearted and up beat, but then, out of nowhere, it’d throw in these really macabre gags, like someone pretending to have a miscarriage to make fun of someone else, or having one of the main characters try to fuck his daughter. And, of course, there were all the racial stereotypes, and the fact that the supporting characters, particularly the Asian ones, were just there to be ethnic punch lines. Well, someone must have read my review, because GLOW, season 2, just about addresses all my concerns. The tone is much more consistent, there are considerably fewer racial jokes this time around, and the show runners actually manage to give the Asian characters some depth. Sunita Mani’s character, in particular, becomes much better rounded. We learn that she used to be a medical student, there’s an episode that shows her being uncomfortable with her wrestling persona, and trying to change it, and she even gets a love-interest in the form of Yolanda, one of the new wrestlers. The season also does a good job of introducing queer elements into the story, and addressing homophobia in the 80s. There’s a season-long subplot where Bash is trying to find his butler, Florien, only for him to realize that Florian was gay, and died of AIDS. The way he reacts to this information–with disgust and disdain–is heartbreaking, but also very accurate to how people did back then. So, for all of these reasons, I have to give GLOW, season 2, props.
That said, the show still has problems. The biggest is the fact that there’s not really one, overarching story this time around, so there are moments where the pacing drags, and the show feels kind of listless. In the first season, there were subplots, but they all tied into the larger narrative of trying to get the show picked up by the network. This time around, there’s not really that one, master goal for the characters to pursue, so you wind up with smaller side-quests, like Ruth wanting to go out with a guy, but feeling she can’t, one of the wrestlers not wanting her son to see her on TV, Bash trying to find his butler, and one of the wrestlers worrying that she might get deported back to the UK. And as much as the show runners did for Sunita Mani, they still did nothing for Ellen Wong, who might as well have not been in the season, that’s how little she has to do. The show also has a bad habit of introducing complicating factors very late into the narrative, such as the aforementioned fear of deportation, which doesn’t materialize until the second to last episode, and Justine’s mother, who wants to bring her home, and who, again, doesn’t show up until the very end. If they’re so important, and are such big sources of conflict, why didn’t you introduce them earlier? Ugh. But, like I said, this season is, in many ways, an improvement over the first. Does it have problems? Sure. But I still think you’ll have fun if you watch