Seven (1995)

Greetings Loved Ones! Liu Is The Name, And Views Are My Game.

Somerset is an apathetic detective, a week away from retirement. Mills is his idealistic partner, and brand new in town. They’ve got nothing in common, and they don’t particularly like each other. But for one week, Somerset’s last week on the job, they must work together. And it’s going to be the longest week of their lives, because there’s a killer on the loose, committing murders based on the Seven Deadly Sins, and he’s got his eye trained on them.

Seven is a film I’ve heard about for literally my entire life. It came out in 1995, the same year I was born, and in the two decades since then, it’s basically become a shorthand for anything super messed up and gross. And yet, as notorious as its reputation is, Seven is also considered to be quite a good flick. It’s strong performances, atmospheric cinematography, well-constructed story, and especially its ending, have all been lauded by critics over the years. This one film resurrected its director, David Fincher’s, career, and helped to cement the reputation of its stars, Brad Pitt and Morgan Freeman. For this reason, and the fact that I’ll take a well-made thriller over an Oscar-winning drama any day, I decided to give Seven a look. And good lord!

Let me start off by saying that Seven is unquestionably a well-made movie. Everything about it, from the mirky cinematography, to the eerie soundtrack, to the believable performances, shows great talent and professionalism. This is a prime example of genre filmmaking at its best. On top of this, the story is considerably better written than most other thrillers, with there being a greater emphasis on character development, and lots of smaller, quiet moments. I also liked the fact that, even though the movie is about a serial killer who murders people in ultra gruesome ways, there’s very little onscreen violence. All the scares, all the suspense, come about through the power of suggestion. Which is good. This has got to be one of the few times where I’m actually glad a thriller was made in Hollywood, and not South Korea. Because even though I think that Korea produces much better thrillers overall, the films they make tend to be extremely violent. All we see in Seven are dead bodies. We don’t have to watch anyone get tortured or mutilated.

All that said, this is a hard movie to watch. If you have a weak constitution, or like stories to have happy endings, avoid this film like the plague. Even I, a person who loves books with unhappy endings, like Shanghai Girls and 19 Minutes, found this film hard to get through. And not just because of the subject matter. Seven is a movie that you can really only watch once. A large part of what keeps you engaged is the uncertainty; the fear that comes from not knowing what will happen in the next scene. Once you’ve seen this film, however, and you know everything that’s in store, the movie loses some of its power, and the story as a whole becomes a little bit of a slog to get through. Some mystery films, like Mother, Zodiac, and Broken Flowers, end ambiguously, and you can watch them over and over again to try to find clues. Seven isn’t like that. It ends quite definitively, and once you see that ending, you’re kind of numb to the rest of the story. The movie also has a weird opening credits sequence, which didn’t sit with me very well. It felt a little too much like something from television, and made the movie feel less like a gripping 2 hour thriller, and more like a 40 minute episode of Law & Order.

Nevertheless, Seven‘s smart script, strong performances, and brilliant atmosphere more than make up for its flaws, and cement its status as one of the all-time great thriller films. Watch it when you can.

 

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The Big Short

Greetings Loved Ones! Liu Is The Name, And Views Are My Game.

And why is anyone going to see this movie? Seriously. Why is any person in their right mind forking over their hard-earned cash to pay to see a movie about racist, sexist, foul-mouthed rich guys who got even richer when the economy collapsed and millions of people lost their homes and jobs? Yeah, in case you were wondering, that’s what this film is about. It’s the true story of a group of Wall Street brokers and hedge fund managers who predicted that the economy was going to collapse back in 2008, and, rather than try to warn the government, or the thousands of people who stood to lose the most, just did some tricky buying and selling, and got super rich when everything went down the tubes. I HATE this movie. For several reasons!

For starters, the characters are all assholes. To give you an idea of how disgusting these people–the “good guys” of this movie–are, in one scene, Ryan Gosling is trying to convince Steve Carrell that the Housing Market is going to crash. When Steve Carrell asks how he can be sure, if his math is accurate, Ryan Gosling points to his numbers guy, an Asian-American man named Zhang, and says, “look at my numbers guy! Look at his face; his eyes! He doesn’t speak fucking English! He came in first place in a national Math competition in China! Yeah, I’m fucking sure my fucking math is right!” And as if their racial stereotyping isn’t bad enough, there’s a scene later on in the movie where two hedge fund managers, Charlie and Danny, realize that, by betting against the Housing Market, they’ve become super rich, and begin to celebrate. They’re so selfish and self-absorbed that they have to be reminded that, in order for them to get rich, millions of people have to lose their jobs, and their homes, and possibly even their lives. But do Charlie and Danny give a shit? Nope!

The second thing that bothers me about this movie is the cinematography. My god is it ugly! Virtually every shot in this film is taken from a hand-held camera, so all the images are shaky. And as if that’s not annoying enough, there’s also hardly any moments where the camera itself isn’t panning, zooming, tilting, or just making your eyes bleed with its sickening motion. Why don’t directors use steadicams, tripods, or wide shots anymore? Those things are all great! Filmmakers, you don’t need to set yourselves apart from other people by shoving cameras up your actors noses and jiggling them at every conceivable second.

The third thing I hated about this movie is the fact that it’s BORING, and unbelievably CONFUSING! It’s boring because there’s no rising action, and no climax. The economy is shown collapsing at about the halfway point, so it’s not like you can say that’s the climax. And the whole movie is just rich white guys in suits talking to each other. How riveting! Except no, no that isn’t riveting! Stuff needs to happen in a movie for audiences to be invested. Even The Wolf Of Wall Street, a movie about brokers that I really didn’t like, understood that. There, at least, the filmmakers showed the characters doing drugs, riding boats through storms, and lots of other crazy stuff that can be described as interesting. The Big Short doesn’t have any of those things. It’s just rich, racist, sexist assholes spewing financial jargon at each other. And though the filmmakers do try to make this all a little less confusing by having cut-aways to people like Margot Robbie, Anthony Bourdain, and Selena Gomez, where they try to explain the terms, these cut-aways ultimately prove to be distracting, and just make things even more confusing.

The only things I can honestly say I like about this movie are Steve Carrell, and the soundtrack. Steve Carrell’s character is one of the few nice, likable people in the whole movie, though he does get a little annoying at points. And the soundtrack features lots of songs from the early 2000s that I really love, like Gnarls Barkley’s “Crazy,” and Gorillaz’ “Feel Good Inc.” But, beyond these two things, there’s nothing in this film that I like. This is a 5 out of 10. I’m honestly quite shocked that this movie about selfish, racist assholes has an 88% approval rating at Rotten Tomatoes, and The Flowers Of War, a heartbreaking movie about sacrifice and redemption in The Rape Of Nanking, has a mere 42% approval rating. Guys, if you want to see a well-made, underrated picture with beautiful visuals, great performances, and well-rounded, likable characters who grow and mature as the story progresses, watch The Flowers Of War. As for this garbage, don’t give it a second thought.