Greetings Loved Ones! Liu Is The Name, ANd Views Are My Game.
To fight global warming, scientists develop the means to shrink humans down. The idea is that, if people are smaller, they’ll produce less waste, use less energy, and, overall, leave a smaller footprint on the environment. It doesn’t take long, however, for people to catch on that there are other benefits to being little, like the fact that money is worth a lot more in shrunken communities. One individual hoping to escape financial woes by “downsizing” is Paul Safranek, a physical therapist drowning in debt. He and his wife visit “Leisure Land,” the most prosperous shrunken community, and decide, “screw it! Let’s get small.” Unfortunately for Paul, however, his wife gets cold feet at the last minute, and leaves him just as he’s undergoing the procedure. And seeing as downsizing is irreversible, he’s pretty much left to fend for himself in this new, miniature world. Will he survive? Well, you’ll just have to watch the movie to find out.
Downsizing is a quintessential “idea” movie. What I mean by that is, there are some films that get made solely because of the uniqueness of their central premise, as opposed to how tight their plot is, or how developed their characters are. Probably the most famous example of a film like this is M Night Shyamalan’s The Village, where the whole concept is that there is an isolated community in the woods, where the elders teach their children that it is the 1800s, when it’s actually modern times. It’s a fun idea, with a lot of potential, but the film itself doesn’t really have a lot to offer when it comes to story or character development. That’s pretty much the case with Downsizing. The premise of people shrinking down, and forming new, miniature communities, is fascinating, and original. But when you watch the movie, you can tell that Alexander Payne, the writer/director, didn’t really have a story to go along with this idea. Because after Paul shrinks down, there is a long, long stretch where nothing really happens. He gets a job, starts seeing a woman, only to have her dump him, and goes to a party. None of these things matter in the end, so they’re really just there to pad out the runtime. There’s also a ton of characters who get introduced in the start of the movie, like Paul’s wife, his mother, his wife’s father, and his friend, all of whom just kind of vanish by the end. As a result, you’re left feeling like you’ve just been told a very long, very convoluted joke with no punch line.
Now, all that said, I didn’t hate this movie. In fact, I kind of liked it. It definitely has things to admire. The central idea, as I said, is very original. The design of these new, small communities is very creative. The characters are well-defined, and the acting is good. The stand-out, easily, is Hong Chau, whom plays Ngoc Lan Tran, a Vietnamese dissident who befriends Paul, and pulls him out of his depression. She has the funniest dialogue, she’s likable, and her performance is great. Seriously. Hong Chau has been nominated for a Golden Globe for her work in this film, and I can understand why. She feels very real, which is odd for me to say because, when I saw the trailers, I thought to myself, “Oh god. Here’s another Asian woman in an American movie speaking broken English, and pining after a White dude.” But the movie is actually a lot more sophisticated and sensitive than that when it comes to her character. Her religious fervor, determination to keep going, even when she’s exhausted and in pain, and her brutal honesty really reminded me of Asian immigrants I know, like my grandfather, and my mother’s friend, Mihua. And I’ve got to give the movie props for that.
So, between her performance, the beautiful production values, and a very interesting premise, Downsizing actually has some good things to offer. Yeah, it’s a little bit boring in places, and you can tell the writer didn’t really have a full plot thought out when they started shooting. But, if you don’t mind that, give this flick a look. You’re bound to be engaged on some level.