Valerian & The City Of A Thousand Planets (To Infinity Retrospective)

Do I have to? Ugh. Fine. Okay, like, welcome to the To Infinity Retrospective, a series created in preparation for Rise Of Skywalker. Blah, blah, blah. Look, we’re only 18 days out from the premiere, so we had to do one more of these. And what better way to end this series of Space Opera reviews than with Valerian And The City Of A Thousand Planets? (He said sarcastically). What’s it about? Hell if I know, but keep reading and try to find out.

High Life (2019)

In the future, death-row inmates are given the choice of either rotting in jail, or going up into space and participating in an experiment. One prisoner (Robert Pattinson) chooses the latter and is put on board a ship with a psychopathic doctor (Juliette Binoche), who is obsessed with creating a child through artificial insemination. It’s never revealed why she wants to do this since it’s never explicitly stated that humans can’t have children the old-fashioned way, but whatever. Sexual contact between the passengers is prohibited, which, as one might expect, drives certain people crazy. So crazy that, eventually, they start killing each other. In the end, Pattinson and his daughter, who was created by Binoche through very questionable means, are left alone on the shuttle, drifting through space. And… yeah. That’s it.