Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
When the cops destroy his shantytown, drifter John Nada decides to get out of LA. So he packs up his bindle, dons a pair of sunglasses he found, and sets off. As he walks, however, he starts to realize that something is wrong. Whenever he has the glasses on, he is able to see the world differently. Billboard advertisements become blank slates with simple commands like “obey” and “consume” written on them. And more disturbing than that, some people no longer look like people. They look like hideous alien monsters. Realizing that the Earth has been infiltrated, and that no one will believe him, Nada does what any sane, rational person would do; steal a shot gun and go on a killing spree. This, of course, doesn’t sit well with his alien overlords, who send hordes of minions after him. Can Nada evade them? Can he help others see the truth? Well, you’ll just have to watch the movie to find out.
They Live is a goofy, didactic mess, with huge plot holes, and some questionable acting. And I kind of love it. Not in a “so bad it’s good” sort of way. In a, “this is original, stylish and funny” sort of way. When I first watched it, I really didn’t know what to think. I certainly appreciated its creativity, and anti-consumerist message. But I wasn’t sure how to feel about it. The acting is subdued, the pace is slow, and the world the movie creates feels grounded and believable. And yet, there are tons of moments where characters will say ridiculous, campy lines, and the violence will get so over the top that you can’t help but laugh. But, after a while, even that odd dichotomy develops a certain charm, and it gets to a point where you just start thinking, “wow! This is nothing like I’ve ever seen before.” The movie is also really exciting. It’s got some great shootouts in it, like the final one in a TV studio, where Nada and Keith David are trying to disrupt the alien’s signal. This scene actually reminded me of another film; John Woo’s Hard Boiled. In that flick, Tony Leung and Chow Yun-Fat are trapped in a hospital, and they have to fight their way out. And so they just forge ahead, mowing down wave after wave of bad guys. They Live’s climax is almost identical in terms of its staging and cinematography, and the fact that it involves two guys moving between levels of a building. I wonder if Hard-Boiled, which was made four years after They Live came out, was in any way influenced by the latter. Either way, both films are awesome, and definitely worth watching.
That said, I whole-heartedly acknowledge that They Live has flaws. Some of the acting, particularly of the female lead, is wooden, and there are quite a few plot holes, also with regards to her character. She undergoes several, unexplained changes in-between scenes, and the movie never tries to justify how or why she shows up at convenient times. If you’re an aspiring screenwriter, looking to learn how to write good dialogue, and create stories that make sense, maybe go watch something else. But if you want to watch something campy, creative and politically subversive, give this flick a look. I guarantee you’ll have a good time.