Greetings Loved Ones! Liu Is The Name, And Views Are My Game. Continue reading
Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
Jennifer Lawrence and Javier Bardem are a married couple who live out in the woods. Javier Bardem is a poet struggling with writer’s block, and Jennifer Lawrence is a craftsman of sorts, having rebuilt their house from scratch after it burned down. All is well, until an obnoxious couple, both of whom are zealous fans of Bardem’s work, come barging in, and make themselves at home. Lawrence is shocked by this, and disturbed that, rather than kick these intruders out, her husband welcomes them, and even encourages their destructive behavior. Things only get worse when even more acolytes to Bardem’s word appear, and Lawrence gets pregnant. Will the strangers leave? WIll Lawrence be able to raise her baby in peace? No, and no. I don’t care if that’s a spoiler. I don’t really think you should see this movie. Why? Simple.
Mother! is an aggressively unpleasant picture. And I don’t mean that in the sense of it being poorly made. The acting, special effects, music and cinematography are all fine. I mean, everything about it, from the story, to the characters, to the downright disturbing imagery, is unpleasant. There isn’t a single thing about it that makes you feel happy, optimistic or hopeful. And I know that there will be some people who say, “Well, I want challenging art that doesn’t spoon feed me the same easy crap I’m used to.” And that’s fine. You’ll probably get something out of it. But the truth is, it’s nothing that you haven’t seen before.
See, this whole film is just one big metaphor for religion. Javier Bardem is God. Jennifer Lawrence is the Earth. And all the people who come in and destroy their house in Bardem’s name are Christians. And I’m not just saying that. The first couple who appear have two sons, one of whom kills the other in an act of jealousy, so they are clearly meant to be Adam and Eve. Lawrence has a child who is killed by the zealots, who eat his flesh and drink his blood, all while Bardem claims they need to be forgiven for their sins; clearly a metaphor for Jesus. And there are several scenes in this movie where the Christians are destroying the house and killing each other that are lifted directly from events like the Holocaust, the Crusades and the Intifada. This movie is as blatant a middle-finger to Christianity as Bill Maher’s Religulous. For people like my father, who hate organized religion, that fact alone will probably be enough to get them to see it. For others, like my mother, who are devoted to God, that will be enough of a reason not to. For people like me, who fall somewhere in-between, it’s just not interesting. I’ve seen this kind of blatant condemnation of organized religion before, and this film doesn’t bring anything new to the table. It doesn’t try to explore why people believe in God, or examine any of the good things that religion has done for human civilization. Nope. According to this movie, religion is evil. Pure and simple. Now look, I know that religion has been the justification for some of the worst, if not the worst, atrocities in human history. Religious violence happens every day in Israel/Palestine. Until very recently, it was not uncommon for Catholics and Protestants to murder each other in Northern Ireland. But the vast majority of people who are religious aren’t psychopaths, or serial killers. They’re just ordinary, decent people, who use their religion as a moral framework by which to live their lives. So to have a film come out and tell all those people that the thing they were brought up with, the thing that probably hasn’t hurt them, or anyone they know, in any way, is evil, and makes them evil too, is kind of unfair, and even a little bit cruel.
For this reason, and the fact that the story and characters are so unpleasant, I really can’t recommend this movie to you all. If you like the director, Darren Aronofsky, the stars, or just hate religion, maybe you’ll like this one. Me, I’m not interested, and I have no intention of ever seeing it again.