In the future, Earth is running dangerously low on fuel. So, in a last ditch effort to come up with a clean, alternative energy source, the world’s governments create a giant particle accelerator, and shoot it up in space, where it can be tested without fear of damaging the Earth. Unfortunately, when the particle accelerator does eventually function, the crew of said space station find themselves transported to a parallel dimension. And back on Earth, the particle accelerator’s explosion opens up a portal, releasing giant, Godzilla-like monsters, which begin wreaking havoc. Will the crew get home? Will they find a way to undo all the damage that they’ve caused? Well, you’ll just have to watch the movie to find out.
Guys, this is it. This is what all the Zhang Ziyi reviews I’ve been posting have been leading up to; the release of her new film, The Cloverfield Paradox. I’ve been waiting for this movie for well over a year, seeing as it was supposed to come out last February, but kept getting delayed, and, let me tell you, when it hit Netflix last night, I was pumped. I was ready. I wanted so badly for this to be good; for it to be a welcome return of my favorite actress to the American big screen. But when I finished watching it, I was left feeling vastly disappointed. Not only does this movie waste Zhang Ziyi, and it’s incredibly talented cast, which includes so many international stars, like Daniel Bruhl, Aksel Hennie, and Chris O’Dowd, but it flat out doesn’t make any sense.
But before I launch into my many criticisms, I do want to be fair, and list some positives. First of all, it looks amazing. The camerawork, the production design, and the special effects are all top-notch. In addition to this, while the characters these actors are playing are flat and one note, the actors themselves all give great performances. And, finally, the film is never boring. It moves at a very quick pace, and so much crazy shit happens, like when a guy’s arm gets bitten off by a wall, and then it shows up again, seemingly sentient, that you can’t help but keep watching, hoping to find answers.
Unfortunately, the questions are all you have, and when the movie ends, you wind up feeling kind of cheated. As I said, crazy shit happens in this picture, and seemingly for no reason. What I mean by that is, characters die in this movie who just didn’t have to. And it’s not like in most horror films where it’s their own stupidity that finishes them off. “Don’t go in the basement! There’s a monster down there.” No. In this movie, characters will just be living their lives, doing their thing, when the screenwriters will suddenly decide, “you know what? We can’t have more than one survivor. Let’s off this character in a completely nonsensical, arbitrary way.” Aksel Hennie, for instance, somehow gets a bunch of space worms, and the ship’s GPS, stuck inside him, which causes him to explode. How did they get there? How was he able to live so long with those things inside him? No explanation. Likewise, Zhang Ziyi gets killed off when she goes into a room to fix something, does, and then, out of nowhere, the room floods. And it’s not like we see the pipes leaking before this happens. She just goes in, fixes something, and then, out of nowhere, there’s water. It really pisses me off when characters die for no reason, and she and Aksel Hennie most certainly do. And speaking of the characters, they are beyond one note. With the exception of the main protagonist, played by Gugu Mbatha-Raw, we know nothing about them. We don’t know if they have families. We don’t know if they have jobs back on Earth. We don’t know what their tastes in movies, music, food or literature are. They are literally just bodies to be disposed of. This is especially true of Zhang Ziyi’s character. In addition to not knowing any of her back-story, she is also shown as being incapable of speaking English. Yeah. All her dialogue is in Mandarin, and, sometimes, there aren’t even subtitles when she speaks. Why? In real life, Zhang Ziyi is fluent in English. Just watch Memoirs of a Geisha, Horsemen, and all the interviews she’s given to American press. Her English is perfect, so the “it was to make it easier for her to act,” excuse, doesn’t hold water. Having her only speak Mandarin was a bad directorial choice for multiple reasons. On top of playing into a racist stereotype that Asian people can’t speak English–Why do none of the European characters only speak German or Russian , huh?–it distances her from the audience. Not only do you not know anything about her past or personality, but, unless you speak Mandarin, you won’t understand a single word she’s saying. So she’s twice removed from the viewers. As a result, you don’t care about her at all, even when she dies. And that’s terrible. Zhang Ziyi is the only reason I wanted to see this piece of shit to begin with, and she’s totally wasted. AAAAAAH!
Guys, don’t watch The Cloverfield Paradox. If you’re a fan of the franchise, or space horror, you might get a kick out of this, but not me. I want characters who are compelling, a plot that makes sense, and for talented actors to not be wasted. I’m so sorry Ms. Zhang. You deserved a better script. Hopefully, I’ll get the chance to write you one someday, but, until then, I guess this is all we’ve got. And that’s a damn shame.