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A stuntman, struggling to provide for his family. A cop, grappling with corruption in his unit. A teenager, haunted by the death of his father. These men are flawed, but they all want to do the right thing. And each, in his own way, is trapped in the town of Schenectady, or The Place Beyond The Pines.
The best way to describe this movie is “artsy.” And when I say that, I mean it in both the best, and worst, ways possible. It’s artsy in a good way because it’s narrative and scenes are uniquely structured, with whole sequences being done in single, unbroken takes, and the storyline unfolding in a non-Aristotelian manner. The acting is also very subdued ad naturalistic, as it tends to be in lower budget indie films. It’s artsy in a bad way in that the pacing is very slow, the naturalistic acting sometimes comes off as garbled and incomprehensible, and the unconventional camerawork sometimes drains tension from scenes. For instance, the storyline involving Ryan Gosling’s stuntman character features many chases, and these scenes are almost all done in long, unbroken takes. Now, on the one hand, being able to see everything in your action scene is great. Too many action films rely on quick cutting and shaky cam to cover up the fact that the actors can’t pull off stunts and fight scenes. But when every scene in your movie is edited in the same, slow, ponderous manner, regardless of what the scene actually is, that’s a bad thing. You don’t want to shoot a chase the same way that you shoot a conversation in a diner. And Place Beyond The Pines does that. There are many points where quick cutting could have been used to great effect, such as to cut down extraneous seconds of footage, to show how anxious and jumpy a character is feeling, or simply to keep the audience engaged. The reason why we have cutting in films, particularly in dialogue scenes, is to keep the audience’s eyes moving. If everything is happening at the same speed, in the same frame, we get bored. Place Beyond The Pines has action a plenty, but that action is shot and edited in such a way that our eyes stop moving, and we lose interest. Combine this with the movie’s length, it’s about 2 hours and 20 minutes long, and you’ve got a film that’s not for everyone.
Nevertheless,Place Beyond the Pine’s unique narrative structure, strong performances, and surprisingly star-studded cast–including Ryan Gosling, Bradley Cooper, Eva Mendes, Mahershala Ali and Dane DeHaan–do make it worth watching. If you don’t like slow pacing, and long run times, maybe watch something else. But if you’re okay with that, give it a look. You’ll probably like it.