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Explosions, quips, and buckets upon buckets of blood, these are just a few of the things found in Hot Fuzz, a satirical cop film directed by Edgar Wright. The story of Nick Angel, a London Police Officer way too good at his job, the film chronicles his reassignment to a remote village in the British countryside, his interactions with the local community, and his attempts to solve the mystery surrounding a number of suspicious deaths. This is a movie that I’ve heard about for years. Everyone I’ve ever talked to ever has stated that this is one of the greatest cop spoofs ever made. And now, having seen it, I can kind of understand why. Kind of.
See, the movie is funny, and it does do a great job of sending up old buddy cop films from the 80s and 90s, but there are points where it gets excessive. And I don’t mean it gets excessive in that it takes its jokes too far, or becomes mean-spirited. What I mean is that, the filmmaking itself–the editing, the cinematography–is just plain over-the-top, and gets kind of annoying after a while. There are numerous points in this film where the director will try to make something mundane, like Nick doing paperwork, look awesome. He’ll include lots of cuts, a booming baseline, and crazy, over-the-top lighting to make it seem more dramatic. The thing is, all the constant cutting, coupled with the flashing lights and loud music, actually makes these scenes kind of hard to watch. There were moments where I actually had to close my eyes because of how much it hurt to look at the screen. On top of this, the movie is only a minute over the two hour mark, but you really feel that minute. The final fight scene in this movie is almost 30 minutes long, and it just gets exhausting to watch after a while. There are so many points where you think it’s ended, but, oh no, the filmmakers had to throw in one more joke, one more homage. By the time it’s all over, you’re breathing a sigh of relief. Which is sad, because the first half of this movie was really awesome. The jokes were constant, and really funny. There were lots of cameos by British actors I love, like Broadchurch’s Olivia Colman and Underworld’s Bill Nighy. And, as you might expect from the likes of Edgar Wright and Simon Pegg, the dialogue and writing were both very strong. I just think the film went too far in the third act, and that kind of diminished my enjoyment of the picture as a whole.
So, in the end, I do think Hot Fuzz is a funny, clever send-up of old buddy cop action movies. However, it does go a little overboard towards the end, and that could act as a deterrent for some. Still, I have to applaud the number of times it made me laugh, as well as the homages and cameos. So, in the end, I’d say Hot Fuzz is a solid 7 out of 10. Not the best, but still quite good.