Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
Have you ever sat in a big, open space, and found yourself listening to someone else’s conversation? If you have, then you’ll have a pretty good idea of what to expect with It’s Already Tomorrow In Hong Kong, a romantic comedy starring real-life couple Jamie Chung and Bryan Greenberg.
The story of two American expats meeting, and hanging out, in Hong Kong, the film doesn’t really have a plot. It’s just an hour and 18 minutes of these two people walking around, taking in the sights, and getting to know each other. Twice. Now, I realize that, with a description like that, this movie probably sounds super boring. But it does have its merits. The scenery is beautiful, there’s some very good dialogue, and the performances of the two leads are very strong. I’d actually like to take a minute to talk about the acting, because, both of these people, especially Jamie Chung, are very underrated. She’s been in a ton of really crappy movies–Sucker Punch, Dragonball Evolution, Grown Ups–where she gets cast as the hot, token Asian. But even when you’re watching her in those bad movies, you can tell that she’s very talented. She’s just not being given the right material to work with. Fortunately for her, other movies and shows she’s starred in–Eden, Big Hero 6, Once Upon A Time–have given her the chance to shine. It’s Already Tomorrow In Hong Kong does so as well, and she really steps up to the plate in it.
But, as I said in my Beasts Of No Nation review, good performances and pretty visuals aren’t enough to make you love a film. And, sad to say, I don’t love It’s Already Tomorrow In Hong Kong. Yes, the acting is good. Yes, the dialogue is believable. Yes, the characters are well-developed. But nothing happens. No one has a goal. No one has an arc. It’s just two people meeting, talking, and enjoying the Hong Kong night life. That’s it. This movie is like eavesdropping on a couple–you learn a bit about them, you hear them say some funny stuff, but, in the end, you’re not given any context, or reason to care. So, overall, I don’t know if I can recommend this to you all. In terms of pure craftsmanship–acting, cinematography, dialogue– I’d say its a 7 out of 10. In terms of story, and keeping the audience engaged, though, I’d say it’s a 5 out of 10. Make of this what you will.