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And if this movie teaches us anything, it’s that Pixar knows how to make great spin-offs. Seriously! Toy Story 2, Monsters University; these are fantastic follow-ups/prequels to classic films. And now, the subject of today’s review, Finding Dory, can officially be added to that noble list of stellar spin-offs.
This is a fantastic movie! It’s beautifully animated, wonderfully acted, deeply heartfelt, and extremely well-written. The writing, especially, is something that I want to touch on. See, I don’t think people give Pixar enough credit for their writing, which is always superb. Nearly all their films–Inside Out, The Incredibles, Finding Nemo, Up, Toy Story--have been nominated for Best Original Screenplay. There’s a reason why their movies are always able to move us; they’re incredibly well-written. Pixar’s superb writing skills are especially evident in Finding Dory, where several new characters–including Dory’s parents, an Octopus named Hank, a Whale Shark named Destiny, a Beluga named Bailey, and two sea lions played by Idris Elba and Dominic West–get introduced, and you are still able to remember, and care about, all of them. That’s a true testament to good writing; when you are able to introduce no less than seven new, important characters, and yet, you are able to give them enough personality, and things to do, to the point where the audience cares about, and remembers, them all.
But enough about the writing. What, you’re probably asking, is this movie actually about? Well, Finding Dory picks up a year after the events of Finding Nemo. Dory, Nemo and Marlin are all living together happily. Marlin has gotten slightly less protective, actually letting his son go to school, and Dory even works as a teacher’s assistant. But something’s not right. Dory starts getting fragmentary memories of her parents, and her life before she met Marlin. She realizes that they’re still out there, and that she needs to find them. And thus, she, Marlin and Nemo set off on a great adventure, which takes them across the ocean and through some of the most fantastic landscapes and scenarios imaginable.
As I’ve already said, this is a fantastic film. It’s very exciting, very funny, and extremely fast-paced. The fast-paced nature of the film is something that I quite enjoyed, because, as much as I love Finding Nemo, it does drag in some places. Finding Dory, by contrast, never stops moving, and has some of the most spectacular action set-pieces ever put to celluloid. Another thing that I quite like about this movie is that, there really is no villain. There’s no wicked stepmother, evil dragon, or mad scientist that needs to be defeated by the end. The situation might be described as the antagonistic force, but that situation isn’t really anyone’s fault. A final thing that I want to praise this movie for is the fact that everything Dory does, or remembers, is justified. A common complaint regarding Finding Nemo was that Dory’s poor memory was inconsistent; that she was only able to remember things when it was convenient to the plot. Not with this film. Every time she remembers something, it’s because something she saw, or something someone said, triggered that memory. And I love that. Nothing is out of the blue here. Everything is within context, and logical.
So, all in all, Finding Dory is a great movie. It’s fast-paced, beautifully-animated, and very well-written. Does it have the lasting, emotional message of its predecessor? Maybe not. But it’s still a terrific film, and one that I think you should go see. It’s a 9 out of 10.
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