Greetings Loved Ones! Liu Is The Name, And Views Are My Game.
This isn’t a bad movie, but it isn’t a good one either. It’s trying to be progressive–to tell a touching, and socially relevant story–but it ultimately comes off as generic, and even somewhat banal.
For those of you who are wondering what the hell I’m talking about, I just sat down and watched an early screening of Freeheld, a new drama film starring Julianne Moore and Ellen Page. The movie, which comes out in theaters tomorrow, is based on the true story of Laurel Hester, a Lesbian Police Officer from New Jersey, who, when she was diagnosed with terminal lung cancer, was unable to transfer her pension benefits to her partner, Stacie. The film chronicles her friends and loved ones attempts to overdue the court’s ruling, and get Stacie her pension.
Now, I’ll be honest, when I heard this film’s premise, I was hopeful. I love “call to social action” films, like Blood Diamond, Philadelphia, and Dallas Buyers Club. I thought that, maybe, this movie would be another worthy addition to the list of socially conscious motion pictures that have come out in the last 30 years. Unfortunately, when I actually sat down and watched it, I was treated to a fairly generic “fight the power” drama, with no real tension, and nothing particularly new in the way of storytelling. Every cliched character you’d expect to see in a movie about gay rights–the butch lesbian, the flamboyantly gay man, the homophobe who grows a heart and does the right thing–is present here. No one’s really given any backstory, and some of the performances are a bit cartoonish. On top of that, this whole movie feels like White Guilt Oscar Bait. You all know what I’m talking about–movies that are hoping to get critical acclaim by talking about something important, like racism, sexism, homophobia, or historical tragedies. It’s practically a joke among actors that, if you want to win an Oscar these days, you’ve got to either pretend to be gay, pretend to be dying, or pretend to be disabled. Well, this film is about homophobia, and its star, Julianne Moore, is both pretending to die, AND pretending to be gay. At this point, the filmmakers are practically giving their acceptance speeches.
Now, to be fair, I know that the directors and the actors intentions here were good, but, honestly, the whole thing just feels exploitative. I’m a disabled person, and I don’t like it when I see non-disabled actors–like Eddie Redmayne in Theory Of Everything, Al Pacino in Scent Of A Woman, and Cliff Robertson in Charly–using our conditions as easy springboards to critical success. Similarly, I don’t like it when I see heterosexual actors giving flamboyantly over-the-top portrayals of gay people, like Steve Carrell does here, just to win awards.
So, to sum it all up, Freeheld is a well-intentioned movie that doesn’t bring anything new to the “fight the power,” social activism genre of filmmaking, and ultimately suffers because of that. It’s a 6 out of 10. Don’t go see it if you’ve already watched films like Philadelphia or Dallas Buyers Club.